rethinking fourth wall as a photographer

Engaging in the practice of image-making often prompts a reflection on the concept of the fourth wall. The photographer stands at a crossroads, oscillating between the roles of audience and creator. If we consider the photographer as the creator, immersed in the act of crafting an image, there's a notion that they shouldn't be overly aware of an audience; instead, the focus lies on the subject and the creative process itself. However, if we view the photographer as the audience, the creator becomes the life process, a spontaneous force driving creativity. This dilemma encapsulates the complex nature of being a practitioner, navigating the balance between actively shaping the visual narrative and being receptive to the inherent spontaneity of the creative journey.

The above paragraph can be related to the concept of suspension of disbelief through the photographer's dual role as both creator and audience. Suspension of disbelief is the willing acceptance of the unreal or imaginary elements in a narrative for the sake of enjoying the story. In the context of image-making, the photographer faces a similar challenge.

When the photographer assumes the role of the creator, delving into the process of image-making, there's a need to immerse oneself in the creative act without being overly conscious of the audience. This mirrors the suspension of disbelief, as the photographer suspends their awareness of being a creator to fully engage in the artistic process. They momentarily let go of the fact that they are crafting an image, allowing for a more genuine and immersive exploration of the visual narrative.

Conversely, when the photographer takes on the role of the audience, perceiving the creative act as a spontaneous life process, there is an element of surrendering to the inherent magic of the moment. This can be akin to the suspension of disbelief, where the photographer embraces the unpredictability and spontaneity of the creative journey, allowing for a more authentic and emotionally resonant connection with the image.

In both cases, the photographer's ability to navigate between the roles of creator and audience reflects a form of suspension of disbelief, as they either momentarily set aside their awareness of the creative process or embrace the unpredictability of the artistic journey to fully engage with the visual narrative.

Who is the creator when an image is being made ? 

And who is the audience ?

Is the photographer on the stage or creating the stage ?